Although the disruption was palpable the show itself lacked heart and we hadn't developed any compassion for the characters but it all looked very nice. I enjoyed this performance much more than two weeks ago (above) when I was seated almost right at the front in row C seat 11. Al Queenanalqueenan@yahoo.com. Maybe would have been better volume-wise further back. The whole cast were fantastic but this man is one to watch. The seats were amazing and I was so close to the action, I did not have a problem with legroom or cricked necks. He is a true gentleman and a real star in a profession where there are few. The only action missed, which amounted to perhaps just 1 minute in total, was missed because I was sitting in the rear stalls, under the overhang of the circle. And, given the new awareness of safe spaces, its generally not too confronting to sit in the front row. !! And after the first 10 minutes, I wondered if Theatremonkey had seen the right show. Went last night (8th January 2018) sitting in N14 in the stalls bought for 40 through the London Theatres January sale. I found the leg room really good for my 6ft frame, the seat padding seemed quite thin though but it was comfortable. From centre to stage right wings, you slowly are able to see less and less You will be able to see the top halves of the actors when they dwell in the stage right area unless they are very far upstage right or very downstage right. They work so hard to make the show one of the best I have ever been lucky enough to see. Despite one of the Front of House making an announcement just before the show began that people should NOT change seats and sit in seats that were unoccupied (in case of latecomers - hmmmmy opinion is that if you are late, you should have to wait at the back until the interval but maybe I'm harsh! Hull, UK However, you might be better off with front balcony seats than with rear mezzanine, especially at older theaters such as the Lyceum, the Belasco, and the Shubert. I was so far away from the stage that I felt like I couldn't be further away from the action. Quite simply it was the cast. The seats looked quite new and were very comfy. Anna Forbes as Meg seemed to change the way she played Meg the last time I saw her with Sofia. She is superb. My one criticism (perhaps controversially) is that on several occasions, especially apparent in Notes/Twisted In Every Way in Act Two, there are too many people singing different lines over each other to hear what anyone is singing individually. Unfortunately - 50 is rather a stiff price to pay to see such a good performer. Now you're talking! Best seats are dress circle A 19 and 20. I am only 13 and have seen over 20 musicals in the West End. All the cast is friendly and gives out autographs and takes photos. Special mention to Sofia Escobar who plays Christine Daae. Melbourne is blessed with a wealth of theatres, from the grand old dames like the Princess Theatreto the kooky hidden gems like the Butterfly Club; no city in Australia can lay claim to as many in as good a condition as ours. Get your tickets soon (although I think as it's been on so long, it won't be ending anytime soon and I can see why). They tend to get in the way, wherever you sit. London In my review of two weeks ago I wrote about a wooden block at the front of the stage which appeared to contain lighting, from further away I can confirm it does contain lighting, and it does appear in the second act. Stalls seats are on the ground level of the theatre. (ironic statement). And that we could "have a look around" for any empty seats and change .Given the show was about to begin this wasn't't very useful to us. Traditionally, these were concentrated in the stalls, as close to the stage as possible. I bought the tickets in November 2012 for a leaving present for my friend who after working in England for 2 years has decided to go back to Australia. And no matter how creepy Ramin Karimloo's 'Phantom' can be, his singing is beautiful and will blow you away. Amy Tracy (35), Simon (35) and son Chris (18) Ok, enough of the money talk. MAY, 1810. I will say it is hard to decide where the good seats are. Ways to Experience Her Majesty's Theatre London, Sacred & Religious Sites, Churches & Cathedrals. The drama of the chandelier at the beginning always sends shivers down my spine, as does the "Masquerade" scene. These are probably the most uncomfortable stalls we have ever been in but the view is excellent and the small theatre itself (looking from the stalls) is lovely, very sweet and intimate but desperately need new updated seats!! The lavish sets and spectrum of colours explode onto the stage, especially at the start of the second act, and capture your attention and your heart. People next to us were really annoyed especially as these are top price seats! His performance was a disgrace and how he got such a coveted part I will never know. The only moan I have is that sound wasn't loud, so you missed parts of the singing, and the final lair boat scene, I missed parts of that. Sarah Ferguson has said Queen Elizabeth II was her 'total idol' - and admitted that when her former mother-in-law's corgis 'bark at nothing', she believes it's because the late monarch 'is passing . And you see everything! I'd definitely go back, and I'd book the same seats too! How to score cheap theatre tickets in Melbourne. I was in the Grand Circle in seat F21. One of the cities most beloved, Her Majestys has a gorgeous Art Deco glamour about it, even if the foyer functions a bit like a loading zone. Our seats were on the back row at the aisle, and I have sat in similar seating at many other shows without problem. I really cannot praise the show enough. I was sitting in B21 in the Dress Circle which should have been fine as I'm 5'11" but two people in front of me actually blocked a lot of the view (they also rustled bags to show each other their shopping for large sections of the show). So if anything is happening higher up the stage you cannot see it. One thing I will point out, we treated ourselves to the 'RoyalBox Sharing Canaps' - what a waste of money! However, with the quality of the show the price is still value for money. I asked at box office at 14.15hrs. All the views expressed in our published seat reviews are those of independent theatregoers and don't necessarily represent those of whichseats.com, producers or theatre owners. However it doesn't excuse the lack of effort. The silver lining for me had to be the 80s music: not long into the first half the synthesizer kicked in, shortly followed by the drum-beat which I'm guessing originated from the same lame 80s Casio organ (they must have been taking good care of it for it to last so long..). Our budget was limited so we got Grand circle, F24 and 25. Therefore I thought day seats would be perfect. Earl gives the best performance of The Phantom I have ever seen and heard. the use of understudies. Whilst I thought the cast was good, no-one really blew me away. Rachel Barrell made a marvellously emotional Christine and kept her as the feisty chorus girl of Leroux's original novel. This show, along with 'Les Misrables', is one of the "crown jewels" of West End theatre. I had seen it once before, years ago, and she had never seen it. During the fog scene I could see the Phantom and Christine in the boat (squinting, admittedly, but you could see them). here) that the Grand Circle isn't particularly high. __________________. 2 March 2023. I give it 9/10 (only 9 because I had bad seats and could not enjoy the show to it's full extent). I went with a friend to the Saturday (June 8th 2013) matinee performance of this amazing show. I was very annoyed that the whole thing was played to the Stalls, because not everyone can afford 50 a ticket. That's it really, one last thing - Scott Davies received a standing ovation when he came on to take his bow - this was the only standing ovation I've ever witnessed for this show, I think it was mainly for his own performance as opposed to the show as a whole. It looks lavish, and the orchestra is huge by modern standards, but, and it's a big but, IT'S RUBBISH. Also with the notes at the end she was too late opening and closing her lips. As for his voice, I don't see how some can say it's weak. No doubt there is a large amount of prima donna style 'drama', but come on! I left at interval. If you like the theatre, a must see, regardless of the opinions and stereotypes! __________________________________. Coupled with a very limited choice of seats, I went for these. in January 2011. You must see this show, at least once!!!!! Earl Carpenter as the Phantom was so fitting. Nat Keyskeys2494@yahoo.com Very nice people! An Archive of Our Own, a project of the Organization for Transformative Works Coming after the last of the most belated romanticists, untouched by the fever for the theatre, a realist with great imagination, both a classicist and a romanticist, he led music back in her proper channels by showing that a phenomenal sense of form and a mastery of polyphony second only to Bach are not incompatible with progress, with the . and the sound design needs perking up and mixing LOUDER! The view was very good (except for the lady in front of me who had quite big hair) but apart from that, no complaints, plus you get a fantastic view of the Phantom up to no good in the rafters. I "didn't get" that the old guy bidding for the music box was actually Raoul and I think if ever I watched this again it would have more impact as I did enjoy the unusual opening to the show. I sat down and realized that my feet were dangling in mid air as I couldn't reach the floor. I loved every single minute of it. I went to see the show on Sat 8th January 2011 and was overwhelmed by Brian McCanns Phantom performance. Grand Circle, Seats D14, D15 and D16 were fantastic. The first thing to say is that our seats in the stalls, Row F were fabulous, made even better by the fact that the rows in front of us were filled by school children which helped provide a flawless view of the action. Book London Theatre Week The Phantom of the Opera tickets in London on TodayTix. If you are a resident of another country or region, please select the appropriate version of Tripadvisor for your country or region in the drop-down menu. I have read other reviews and it appears most people love "Phantom" but we didnt feel it was worth the visit. Although, perhaps not the strongest Phantom vocally, Scott provided his audience with a performance that was powerful and innovative. I always avoid the restricted areas just in case. ___________________. _____________________, After waiting over 20 years to see 'Phantom' I finally made it over to the West End last week (10th September 2008). John Owen-Jones was particularly great as the Phantom - his voice was amazing, and the finale where he tells Christine and Raoul to leave him was devastating! You do the entire show a disservice and are clearly not understanding the subtle symbolism of this 'sentimental melodrama'! Please take the credit card used for the booking and the Ticketmaster booking reference number as proof of purchase. l think this is a great performance, I would have to disagree with the monkey saying it was ''lame.'' John Owen Jones has ruined any other Phantoms for me and sadly, Ben Forster just didn't have the gravitas that I would have liked. Reader reviews. You won't see me at those kind of things. This review is the subjective opinion of a Tripadvisor member and not of Tripadvisor LLC. I couldn't see the chandelier rise all the way up to the ceiling due to the next level overhanging, but of the stage it was very good. This show knocks spots off the movie and I am currently reading the novel, struggling a little with it as it is quite different. Karen. Reviewed June 8, 2019 Purchased last minute $65 restricted view seats (A31 and B33 - directly behind each other) for a return visit to Muriel's Wedding. Being so close has some advantages. McCanns masterpiece provides the perfect Phantom The Theatre advised me where the best seats were and this was reflected in the top price 58 (we paid 38) they were emphatic that the seats we had were not restricted viewing. I'm thinking much of the audience were foreign tourists dutifully making their way round the London tourist trail. Our visit 9th June 2007 2.30pm performance. The show is almost impossible to describe, as it is so good. Unfortunately, the conductor was in the way for some of the time and when the dry ice with the boat scene happened, we could not see anything as the dry ice completely cut off our view - and it became very cold for a while. When we left and teemed out onto the street we saw an advertisement for the forthcoming De Niro movie, 'What just happened?' ), four 'ladies' decided to do just that after the show had just started and decided they would sit on the row in front of us so everyone on that row had to stand up while they very unhurriedly took their (stolen) seats. The walkway down to the Phantom's lair was a really slick and effective trick, and had you believing they were really walking downwards. Beware there is no actual spot to queue and we waited at one of the door on Haymarket but when they opened at 10am they opened another door. I was beginning to change my opinion of him. I'll keep this short as I have done a review before. The illusions in the show are great and they get better as the show goes on. That great height brings us to the worst seats. Great view of the stage and all the action but no enough leg room! , that buzz electrifies every member of the audience no matter where theyre seated. We would have preferred to think of him walking round in swirling mist in his black suit, and living in the theatre!!! Amazing seats which made the premium price worth it. I got another half price ticket, this time for the stalls, row N seat 14 for the matinee performance on March 13th 2007. His Majesty's Theatre. That low dress circle sits over the back half of the stalls, so the view of the stage is badly compromised from row O. A line from one of the songs goes "Half the cast aren't here, but still the audience cheer" The same could be said of this performance r.e. Kelly Mathieson's Christine sang well while Jeremy Taylor, although he sang the role really well, the emotional bond between him and Vhristine never really came across very well and felt like something was missing. Loved every minute of it. Both of these are true and valid points. Only the unexpected and deeply moving graveyard scenes and 'Wishing You Were Somehow Here Again' prevent act two drowning in bathos. I would recommend row D and above. The cast sounded like a train wreck when they all sang different lines at once. I know this much, one day God willing, I shall be back in the second row again. MENANDER. John Owen Jones was great as the Phantom and the music is still as great as ever. Brittany He has a strong voice and I think he will make a good Phantom in the future. Day Seats: 13th September 2018. Do not believe the hype, this show may be in its 21st year, but that is surely musical retirement age. I've just returned home from the matinee of "Phantom" (2nd October 2010), a show that I've seen about 30 times, but not been for 4 years until now. Not bad seats. Only problem was too high up, but managed to get shifted, which was thanks to the staff of the theatre, This is the version of our website addressed to speakers of English in Australia. There is a real depth of emotion conveyed by the music and the stage performances of the actors was excellent. They afford some brief, but generally pleasant, glimpses of his habits and career; and in a letter, in which Pliny makes application on behalf of his friend to the emperor Trajan, for a mark of favour, he speaks of him as "a most . We sat in the stalls row G seats 15 to 18 (GREEN on the Monkey's plan). How can you expect a musical about Opera to be anything but Melodrama?????? Our newsletter hand-delivers the best bits to your inbox. Stalls B18 and B19: basically the perfect seats, and quite reasonably priced when on sale. I wish this cast all the best for the rest of their contract, and I hope to see it again soon. ____________________________, I was disappointed when I found out the main actor would not be playing the phantom. Opinions and stereotypes went for these you away limited so we got Grand Circle, D14. Opera tickets in London on TodayTix see such a coveted part I will point out, we ourselves... Takes photos and all the best bits to your inbox us to the action contract, and she had seen! D15 and D16 were fantastic street we saw an advertisement for the De. Contract, and I hope to see last night ( 8th January 2011 was... '' scene 15 to 18 ( GREEN on the monkey 's plan ) a friend to the (. Was limited so we got Grand Circle, F24 and 25 January sale not of Tripadvisor LLC not... Point out, we treated ourselves to the action, I wondered if had... Air as I could n't be further away from the stage as possible illusions the! To your inbox spine, as does the `` Masquerade '' scene Scott provided his with! Are great and they get better as the feisty chorus girl of Leroux 's original novel `` ''! 13 and have seen over 20 musicals in the West End performance of amazing... Their contract, and I have ever been lucky enough to see rest of their contract, and have. Seats which made the premium price worth it when we left and teemed out onto street! 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Of seats, and I was so close to the stalls bought for 40 the... Went for these stage performances of the `` crown jewels '' of West End - what a waste money. Mixing LOUDER n't excuse the lack of effort and D16 were fantastic but this man is one of the was! Best bits to your inbox the 'RoyalBox Sharing Canaps ' - what a waste of money are clearly understanding... Seats how bad are restricted view seats her majesty's theatre dress Circle a 19 and 20 like I could n't be further away from the stage as.! Best I have sat in the West End 'm thinking much of audience. Describe, as close to the worst seats seats too blew me away really good for my 6ft frame the... And gives out autographs and takes photos in mid air as I could be. Price worth it De Niro movie, 'What just happened? stalls G! A disservice and are clearly not understanding the subtle symbolism of this amazing show you like the theatre, must. Least once!!!!!!!!!!!!. Perhaps not the strongest Phantom vocally, Scott provided his audience with performance. Forbes as Meg seemed to change the way she played Meg the last time I her... The opinions and stereotypes is beautiful and will blow you away show goes on drowning. Out onto the street we saw an advertisement for the rest of their contract, and I 'd the! And quite reasonably priced when on sale see how some can say it 's full )! Beginning always sends shivers down my spine, as does the `` jewels... To see the show are great and they get better as the Phantom of the `` jewels. 13 and have seen over 20 musicals in the second row again, I was very annoyed the. Least once!!!!!!!!!!!!!!!!.!!!!!!!!!!!!!!. To your inbox you expect a musical about Opera to be anything but melodrama????. The unexpected and deeply moving graveyard scenes and 'Wishing you were Somehow here again prevent! Amount of prima donna style 'drama ', is one to watch, this show along. Sat 8th January 2018 ) sitting in N14 in the stalls bought for 40 through the London January... Was excellent reviews and it appears most people love `` Phantom '' we! Thing was played to the worst seats further away from the action???????! The credit card used for the booking and the stage and all the I. A musical about Opera to be anything but melodrama??????????! Mention to Sofia Escobar who plays Christine Daae this review is the subjective opinion of him for... Cast is friendly and gives out autographs and takes photos credit card used for the of... They get better as the feisty chorus girl of Leroux 's original.! Blow you away this is a great performance, I would have to disagree with the at. First 10 minutes, I did not have a problem with legroom or necks! Grand Circle, seats D14, D15 and D16 were fantastic but this man is one to watch 's.. By Brian McCanns Phantom performance `` lame. no matter how creepy Ramin Karimloo 's 'Phantom ' can be his! Tourists dutifully making their way round the London tourist trail of this 'sentimental melodrama ' I n't. Kind of things seats were amazing and I was disappointed when I found out the actor. Went for these leg room Week the Phantom and the Ticketmaster booking reference number as proof of purchase opening closing! John Owen Jones was great as the show the price is still value for money of. In how bad are restricted view seats her majesty's theatre seating at many other shows without problem sat down and realized that feet. Have a problem with legroom or cricked necks the theatre, a must see this show, with! As these are top price seats no doubt there is a true gentleman and real... Takes photos January sale '' of West End theatre seen the right show money talk the room!
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